Three Women, by Lisa Taddeo

Long ago, I got into an argument with a man about sexual assault. I was fresh from a local production of The Vagina Monologues and I might have been a little pedantic, perhaps a little hard to reach. In my shock over the production, I repeated the statistic that one in six women will be the victim of rape (attempted or completed) in her lifetime.

This man’s response was immediate: No. No way. Not possible.

Astonished, I chucked back yet more data at him, but he continued to say it wasn’t possible. I decided that he was simply in denial, unwilling to accept what the statistics mean about the men he knew.

In my memory, we were both too determined in our positions, so eventually one of us changed the subject. (Is it necessary to say that this man and I are no longer in contact? Probably not.)

Over the years, I realized that I was the one in denial. Yes, I passionately recited the statistics, but that one was always someone else. That made it easier to accept. As I have gotten to know more women, and, I hope, become a better and more empathetic friend to women than I was during my “I’m not like other girls” phase, I realized that it was happening to my friends, my family members; that it wasn’t just a figure to recite, but happening constantly. (According to another statistic, from RAINN, it is happening once every 68 seconds).

The authenticity of these experience is driven home by Lisa Taddeo’s book Three Women. The book, which is nonfiction, tells the story of three very different women and their relationship to sex and men. In each of these stories, there is inappropriate sexual behavior from men, from a gang rape to one of the woman’s brothers asking her, late at night, if she wants to mess around. There is Sloane, an affluent woman who agrees with her husband’s desires to watch her sleep with other men while she oppresses her own insecurities and instincts. There is Lina, whose middle-aged sexual awakening brings her some of the best sex of her life with the most emotionally-unavailable of men. Maggie’s story, of a sexual relationship with her teacher, when he was thirty and she was seventeen, struck me the hardest.

Statistics are easy to deny if we pretend that they depict an anonymous “other.” Books like Three Women ensure that we can’t deny the humanity behind these facts.

(Avid Reader Press, 2019)

The Last Kings of Shanghai: The Rival Jewish Dynasties That Helped Create Modern China, by Jonathan Kaufman

I’ve been on a communism kick. It began with my decision to finally tackle Ezra Vogel’s massive biography of Deng Xiaoping (Deng Xiaoping and the Transformation of China, Belknap Press, 2011), which has been staring at me from our bookshelves since my husband and I moved in together, in 2014. I’m listening to Hope Harrison’s brilliant lecture series on the fall of the Berlin Wall through Audible, and I’m midway through The Tragedy of Liberation, by Frank Dikötter (Bloomsbury, 2013).

But I was drawn to Jonathan Kaufman’s book The Last Kings of Shanghai because it combined my current interest in the communism movement, and my perpetual interest in Jewish history. As I found upon reading it, the book offered so much more. It is a stunning example of the power of a good journalist to focus on one sliver of a gigantic historical movement as a way to frame the event for a modern reader, and to show how larger survey books, like The Tragedy of Liberation, lack nuance.

The Last Kings of Shanghai follows the Sassoons and the Kadoories, two prominent families who made, and lost, fortunes in China, from their arrival from Iraq (did you know there were many Jewish families living in Iraq in the 1700s? Me neither), through the twenty-first century.

In Part Two, in which Kaufman discusses “liberation,” the 1949 communist takeover of China from Chiang Kai-Shek, Kaufman’s prose is so illustrative that we feel the worry and the wonderment, about whether Shanghai, a progressive foreign enclave that families like the Sassoons and Kadoories called home, would be preserved as a capitalist powerhouse, despite the transformations occurring in the rest of the country. Kaufman doesn’t pretend that foreigners didn’t exacerbate the inequities in the city; for example, he is blunt in his depictions of starving Chinese people begging outside of the gorgeous Art Deco hotels along the Bund. I was able to understand the motivations of the communists, their shock at the wealth and spoils, and how they saw themselves as “liberators” precisely because of the inequities they witnessed. This is a sharp contrast to Dikötter, who ignores this and, in his systematic way, details the atrocities committed by the communists as fueled by nothing but pure, reckless evil. In Kaufman’s telling, the reader can understand both why the foreigners in Shanghai presumed that they would be kept safe, or even more significantly, that they belonged in Shanghai, and why the communists disagreed (to put it mildly).

As always, the best way to understand history is to read multiple perspectives on it. A useful place to begin is with a micro-exploration, such as that offered in The Last Kings of Shanghai.

Published by Penguin Books, 2020

The Forked Path, by T.R. Thompson

I had planned on waiting a month between reading the first and second books in T.R. Thompson’s magnificent series, The Wraith Cycle.

I had also planned on reading for a half hour during lunch, instead of ignoring my own work all afternoon to finish THE FORKED PATH in a breathless rush.

There is magic here.

Exploring the Tangle, accompanied by Wilt, my dear Higgs and the rest of Wilt’s entourage, was too much of a temptation to read at a regular pace over a reasonable period of time. Thompson’s description of the forest itself converts the place into the main character, particularly because many of the people who are touched by it achieve incredible forest-like attributes. I loved meeting Shade, the untrained boy with powerful magic, as he darted amongst the trees, feeling the presence of evil and sensing the moods of the nervous soldiers who patrolled in the hopes of containing the hideous force that was killing villagers and causing chaos. Thompson’s lush language drew me into that forest “filled with the shift and sway of young saplings, the creak of aged timber, the naked threat of the living trees that loomed around them.”

Thompson also pulls off the trick of clearly describing Wilt’s internal conversations with the friends who now live within him, like Higgs, who occasionally takes over Wilt’s body in order to warm up his crafter skills, as well as realistically depicting animals capable to transforming into human beings and back again. While the Tangle captivated me, the conclusion at the capital made me yearn for a third book in the series.

My advice, if you plan on picking up THE FORKED PATH? Clear your schedule.

The Blood within the Stone, by T.R. Thompson

As a street-dwelling, wall-scaling thief, Wilt’s life expectancy is dismally low. Outrunning bullies, evading capture, and providing food for himself and his younger friend, Higgs, is not a recipe for a long and healthy life. Yet Wilt has a significant advantage: the ability to read minds.

When Wilt is taken to the city of Remondis to fine-tune his skills, he doesn’t go willingly, but as captive to an intimidating bunch of guards, imperious Prefects, and rumors about “The Sisters,” the mysterious group of women in charge. At least his buddy Higgs is coming with him, though because of Higgs’ special talents as a “crafter,” their masters attempt to keep Higgs separated from Wilt.

Like Wilt, I can read your thoughts: a school to train children with magical abilities? I know that one! But forget Hogwarts; the forces that dwell beneath the surface in Remondis are far more terrifying that anything Voldemort could conjure up. While Thompson does not reveal all in this, the first book in the Wraith Cycle, the brush with these forces will leave you chilled long after the story ends.

Not all is darkness and drudgery in The Blood within the Stone. The special bond between Wilt and Higgs, their complementary skills and the yin and yang of their personalities, lends hope to the bleakness of the evil within the story and adds necessary moments of levity even as Wilt and Higgs suffer and struggle to determine who their real enemy is.

T.R. Thompson displays his own magical skill in The Blood Within the Stone as he describes the process of Wilt entering people’s minds and uncovering their secrets, motivations, and intentions. The vivid imagery of ropes entwining those who are connected in these “welds,” along with the obvious fun Thompson had in depicting the transformation of people into animal forms, makes this story a tantalizing introduction to the the Wraith Cycle.

Review of My First Short Story

We probably looked like one of those pathetic couples, who sit together at restaurants and don’t speak. Worse, I was staring into my wine while my husband, Shawn, was slumped over his phone, scrolling slowly downwards, ignoring me.

I imagined the couple at the table next to us glancing over, then promising that they would never become like us.

But on that night, the night after Thanksgiving in 2019, a rare evening away from our three-year-old daughter, Shawn was reading my first short story while I was waiting for his reaction.

The idea for that short story, titled BULL’S-EYE, came to me while I read about the #MeToo movement. I was supposed to be working on an assignment for my research job, but I dashed out a few quick paragraphs in the unfamiliar form.

The premise, based loosely on THE SCARLET LETTER, was that men who had committed sexual crimes, from harassment to rape, woke up one morning with a large, red bull's-eye on their foreheads. At first, they’re ashamed. They’re fired from their jobs, voted out of office, publicly shunned, until they decide that they are the victims, forced to wear a mark upon their foreheads. As the victims, they cry discrimination, and they win. Suddenly, women who judged them for their behavior are deemed the aggressors.

At the restaurant, Shawn finished reading. He looked up at me. He said, “This is excellent!”

Reader, it’s not excellent. I’m not saying this because it has been rejected from esteemed literary journals, because I know enough to know that acceptance does not always equal excellence, just as rejection does not always equal crap. But BULL’S-EYE is a passive-voice nightmare, a jumble of magazine-style reportage (the only non-legal, non-academic writing I had done at that stage) and lazy fury at the subject of the story, the men like Donald Trump who did terrible things and had the audacity to turn their crimes back on their victims.

BULL’S-EYE is not excellent, but my husband’s reaction to the piece was. That reaction led me to write a dozen more stories, made me feel strong enough to use the active voice and patient enough to edit myself harshly. The result of that reaction is that I’m still writing, and even getting some acceptances along the way.

BULL’S-EYE: 1 star

Spousal Encouragement: 5 stars

Say Nothing: A True Story of Murder and Memory in Northern Ireland by Patrick Radden Keefe

I don’t know how most people read books, but as a parent, a lot of my reading is the equivalent of sneaking a comic between the pages of a textbook to fool the teacher.

Would I like to be sitting on the front porch of a lonely cabin in the mountains, hot tea steaming on the table beside me, while I read books as meticulously-researched and beautifully written as Say Nothing? Absolutely.

Did I read Say Nothing bent double, the book half-hidden under my daughter’s bed, one hand holding open the book, the other draped over her stomach (because that’s the only way in which she will fall asleep)? Absolutely.

But contrary to many of the non-fiction books I read this way, Say Nothing drew me into the drama so intensely that I found myself maintaining my bent-double position long after my girl’s breath had pitched into its sleeping rhythm.

Keefe has blessed himself with a highly compelling, and recent, event, that of the Troubles in Northern Ireland, but in the hands of a lesser writer, the story could have been a simple recitation of events, or, worse, a dehumanizing one, in which the war was fought between “sides” or “factions” instead of real human beings, with spouses and children.

By centering the story on the abduction and disappearance of Jean McConville, single mother of ten, Keefe yanks us into history and doesn’t let up. While he turns our gaze to other players, or widens the view so that we can better understand the politics, he never forgets McConville. The story also ends with a twist, as Keefe brings it back to his own experience as an Irish-American.

It has become cliche for reviewers to write that a book kept them up all night or is unputdownable, so I will modify this. Say Nothing will keep you bent double, long after you’re allowed to straighten up.

Published by Anchor Books (2019)

Letter of Recommendation for Otto Penzler

I write today to wholeheartedly recommend Otto Penzler as a character in your next short story.

I have never actually met Mr. Penzler. (I saw him once, when I visited The Mysterious Bookshop in Tribeca, but I was too shy to talk to him. After all, he is the editor of Bibliomysteries, delectable double volumes of short stories set against the backdrop of books, including stories by writers as important as Joyce Carol Oates and Ian Rankin, and I felt like enough of a benign stalker without introducing myself.)

You may be thinking that I’m not in a position to recommend the character of Mr. Penzler, editor, publisher, bookstore proprietor, given that I’ve never met him. But you will feel differently after I tell you about Christmas at The Mysterious Bookshop.

The conceit of this collection of stories, edited by Mr. Penzler, is that all stories must “be set during the Christmas season, involve a mystery, and have at least some of the action take place at The Mysterious Bookshop.” With contributions from the likes of Megan Abbott, Anne Perry, Mary Higgins Clark, and Jonathan Santlofer, Christmas at The Mysterious Bookshop is a delight of Christmas Eve murders, deadly holiday book signings, and thefts of valuable manuscripts, with many crimes taking place right in the shop. And you know who is frequently bumping around The Mysterious Bookshop? (Besides shy mystery lovers?)

Otto Penzler!

Understandably, writers who earned a spot in the collection often place Penzler in the story, too. No sense in disguising a guy like that! Here is how Abbott describes him, from the mouth of one of her characters in the story “Snowberries:”

“‘Silver hair, silver beard. This time of year, gray herringbone coat, fly-front. Looks custom made. A voice kind of clubby. Crisp but buoyant. Someone comfortable speaking in public…’”

Based on my brief observation, she nailed it: Penzler is a man from whom you’d like to buy a book, sip some cognac, and chat about a first edition Agatha Christie. He is a man fit for a mystery story (or eighteen).

Therefore, it is with my whole heart that I recommend Mr. Penzler for your next short story. If it turns out well, send it to him and see if he’ll put it in his next collection!

But I will warn you that, if you go looking for him in The Big Book of Espionage (edt. Otto Penzler), you will be disappointed. There is no requirement that the writers (some of whom are long dead so didn’t have the pleasure of knowing him) include Penzler or his bookshop in their stories of spies and double agents. I’m not quite finished with it yet, so I’m holding out hope that the man will show up in one of the more recent pieces, perhaps lurking by a dead drop in Central Park?

A Story For The Mouse We Killed, by Me

Brown was chewing on the unexpectedly salty end of a gummy worm as Flaky explained about the blue light, plugged into a zappy hole in the dining room.

            “But how do you know the light is for us?”

            “I heard the guy,” Flaky said. Flaky hated people, but Brown saw their occasional usefulness. Nature did not provide salty gummy worms of her own accord.

            Flaky was bigger and stronger than Brown, with impressive shoulder muscles and thick, dark gray haunches. He could have been mistaken for a baby rat, in the right lighting.

            Flaky bit at an old scab under his left pinky claw, which turned Brown’s stomach. He dropped the worm.

            “You finished with that?” Flaky said.

            Brown squeaked. “Not yet,” he said, then dragged the worm to the safety of his corner, under the house’s front porch. “What do the humans think this blue light will do?”

            “Keep us out of the house, the guy said. His lady didn’t buy it.”

            “Me, neither. I’m not afraid of light.”

            Brown had been born in that house, under the bedroom radiator, two winters before. Inside, the house still smelled like them, warm and whiskery, and Brown wondered how the blue light would change it.

            “Know what really pisses me off?” Flaky said. “It’s almost spring, right? Which means we won’t be in the house as much, like, naturally, right? But they’re going to congratulate themselves, in that human way, about what smart sons of bitches they were to buy a dumb light.”

            Flaky was right, of course, but the sugar from the gummy worm was coursing through Brown like electricity, giving him an idea. What if the blue light could light up the home that he and Flaky had made, under the porch, ever since the new people moved in? Brown imagined Flaky and him holding on to one another, unmolested, in the dried leaves and beetle carcasses below the porch, as the light transformed them into fantastical beasts. 

            “Hey,” Brown said. “We should take it.”

            “Take it?”

            “Yeah,” Brown said. He wiggled a paw. “See this small claw? Why couldn’t I use this to yank it out, like that raccoon does, when he lifts the lid off of a trash can?”

            Flaky’s lipless mouth curled into a mimicry of a smile. “Yes! Then those people will be like, ‘What happened? Aw man, those mice got us good this time!’”

            That was not what Brown had been thinking, but he needed Flaky’s strength if he was going to get the blue light and bring it under the porch. Brown was so small that he could hardly lift a rice cracker. As Brown watched Flaky’s rotator cuffs work under his scabrous skin, he felt a jolt of confidence in the plan.

*

            Brown and Flaky raced along the gas line and walked up the tunnel carved out of the foam insulation. Into the oven drawer, then they were standing on the cold kitchen tile.

            “Follow me,” Flaky said, and Brown skittered after him, Flaky’s tail like a beckoning finger.

            In the dining room, the light was even more beautiful than Brown had imagined. Waves of an other-worldly waterfall, or a sci-fi sunset. The blue touched every surface, stroking the table’s legs and blanketing the people’s new carpet, dying it from drab gray to vivid lilac.

            They stood on either side of the zappy hole from which the blue light protruded. Up close, the light was less ethereal, and caused an ache to hammer between Brown’s eyes. He didn’t feel repelled, exactly, more like he had been staring into the sun.

            “Alright then,” Flaky said. “Let’s get to work.”

            But it wasn’t so simple. The light was much bigger than Brown had expected, four times his size at least, and held fast in the zappy hole. Brown could not budge it with his useless thumb, and Flaky’s dominant paw was too raw to be of much use when he tried to yank it out. When Flaky got angry and jumped on top of it, he barely loosened it an inch.

            Brown was about to suggest that they go back out to the porch when he saw Flaky sticking his nose against the zappy hole.

            “Watch out there, dude,” Brown said. “That’ll zap you.”

            “I know that,” Flaky said, defensively, like he definitely hadn’t known that. “How about we chew through these silver pieces?”

            “I don’t know.”

            “What, you don’t think I could do it?”

            “It’s not that. I just—”

            “My cousin chewed through the bottom of a rabbit hutch once. And he’s my younger cousin.”

            “Oh yeah? Which cousin?”

            “You don’t know him. He lives in Canada.”

            “Dude,” Brown said. “Let’s go.” But Brown had accidentally threatened Flaky’s manhood. Before Brown could stop him, Flaky opened his jaws around the prong and bit down. When the zap roiled through Flaky, quaking his muscles, Brown didn’t think. He leapt on Flaky’s back and didn’t let go.

*

            “Is the big one a rat?”

            “I hope not,” the man said. The rodents’ stiffened corpses encircled the ultrasonic rodent repeller like golden retrievers warming themselves in front of a fire.

            “I thought they were supposed to be afraid of it,” the woman said. “I didn’t think it would kill them.”

            The man squatted down. He looked at the repeller, which was angled downwards and slightly askew. “Me, too. But it worked better than I’d hoped.”

            The woman put her hands on her hips and smiled down at her husband’s bald spot. “Nice job, honey.”

History of Present Complaint, by HLR

My understanding of mental illness comes from two sources: dry nonfiction describing the history of treatment and the chemistry of the brain, or from pop culture, the Angelina Jolies who manic-pixie-dream-girl their way around a mental institution. Until I read The Collected Schizophrenias, a marvelous book of essays by Esme Weijun Wang, I hadn’t begun to understand what severe mental illness might be like from a first person point-of-view.

HLR’s raw, fragmentary novella History of Present Complaint is more than first-person: I am the sufferer, because, as the Editor’s Note states, “One morning in late September 2019, you suffered an acute psychotic episode…” We then travel through the experience in three sections (present complaint, describing the episode itself; history of present complaint, that includes recollections and evidence of past episodes; and post complaint, about the aftermath). In each, HLR kidnaps the reader through her poetic use of language: the uncertain half-memories, the episodes dyed red by fear, and the violence, often self-inflicted (or then again, maybe it’s not; it may have been inflicted by the five men who broke into my house and tortured me).

History of Present Complaint often left me grasping for clarity on time and place, which meant that I got a glimpse of what it might be like to experience a psychotic episode with a level of evocation that a traditional narrative could not provide. What might it be like to be detained in a hospital against your will, or to get lost in your own neighborhood, or to stab yourself with a knife because the instructions (to a frozen dinner) told you to? And because the book is so deeply subjective, the moments when the reader is pulled up and out are that much more harrowing, like in a later section entitled, “Things You’ll Find When She Dies.”

Through its uncomfortable closeness, History of Present Complaint absorbed me into the back of the ambulance and slammed me into a padded cell, giving me an insider’s sense of fear and danger. Not for the faint of heart, but then again, neither is psychosis.

Published by Close to the Bone (2021)

I wanted to resist but I could not: Daisy Dalrymple Mysteries, by Carola Dunn

As I was pondering which book I’d like to review, I thought about some of the recently published, very excellent books on my book list (Anything is Possible, by Elizabeth Strout; Actress, by Anne Enright). They were so excellent! And recent! I should review one of them.

Nah.

What I want to do is talk about Carola Dunn, namely her Daisy Dalrymple series. Dunn published the first one, Death at Wentwater Court, when I was twelve, and the last was published in 2018. There are twenty-three books in the series and I have listened to six since I first discovered them. They are available for free with an Audible subscription. (I prefer the narrator Bernadette Dunne).

Sometimes, you just need a historical mystery with a couple of bizarre killings, a romantic subplot and cloche hats, ya know? You need this for walking the dog, or cleaning the bathroom, or learning how to use your Instapot. You don’t want scary death, or your detectives Googling things. You want light-hearted poisonings and waiting for the evening post.

Daisy Dalrymple Mysteries are cozy and safe and, like a flock of flamingos, reassuring in their numbers. But I would be remiss if I didn’t mention what makes a Daisy Dalrymple really sing (fans of Murder, She Wrote, listen up!). Daisy is always, just coincidentally, hanging around when a murder takes place. And then her boyfriend (and maybe soon husband but DO NOT SPOIL IT FOR ME), who works for Scotland Yard, rushes in and solves the crime with Daisy’s help.

How’s that for charming?

The Dead March: A History of the Mexican-American War, by Peter Guardino

Ron Chernow’s deliciously thorough biography of Ulysses S. Grant discussed his service in the Mexican-American War as experienced by an American officer. This year, I wanted a discussion of that war that would tell me more than what a West Point graduate would have experienced. I found Peter Guardino’s The Dead March a complete view of the war, from American General Winfield Scott to the anonymous Mexican woman who followed the U.S. army out of desperation. Guardino’s well-researched social history of the war differed so much from other military histories that I have come across. He does not mince words when it comes to the American volunteers’ brutality towards Mexican civilians (flogging, rape, desecration of churches, the list goes on) and questions every narrative we encounter as Americans about the intent of that war and why the U.S. won it.

When I was growing up, I learned that “revisionist” history meant that “real” history was being erased or manipulated to serve political correctness. It look a lot of unpacking for. me to understand what so-called revisionism actually means: viewing history through the experiences of those who lived it. Histories like Guardino’s are difficult to write, given how women and people of color’s voices have been silenced, and much more ambiguous in their conclusions. I appreciate Guardino’s efforts to tell the whole truth, even when the result is messier than the patriarchal narrative that is often included in a child’s history book.

Published by Harvard University Press (2017)

About This Year's Book List

I’ve been keeping track of the number of books I’ve read or listened to every year since 2007. I do this for two reasons: (1) My mom does it, and I’m inherently competitive — though she always beats me; (2) I sometimes forget books that I’ve read, especially those by my dear Georges Simenon, and it’s nice to have a record (also, my mom and I have a rule that you can reread a book ten years after the last time you read it and it still “counts.” So when I accidentally reread Maigret’s Pickpocket earlier this month, I was relieved to find that I last read it in 2008).

My goal is to read 100 books a year. This seems easy enough, given how many days there are in a year. I blew past that in 2019 and 2018, but in 2017 I only made it to 75 (in my defense, I had a baby in August of 2016 and the whole “clown took over the country” thing really distracted me).

Although it is only December 27 (Happy Birthday, BTW, to my mom, whose book list is at least in the 150s this year), I can say with confidence that I’m only getting through one more print book and one more audiobook this year, which only brings me to 98. NINETY-EIGHT.

But as everyone keeps reminding me, 2020 has been the worst year ever in the history of years. So it seems only fitting that this particular goal won’t be met.

Here’s to next year, in which I will write 1,000 short stories, 100 novels, and read 200 books other people wrote.

Rogue Male, by Geoffrey Household

In Rogue Male, a citizen of an unnamed central European country decides to take aim at a dictator. He doesn’t shoot, but the threat is enough. He is tortured, then dragged away to the top of a cliff, a faked suicide that’s easier for the morally troubled nation to explain than an extra-judicial murder.

The short novel follows the man’s journey from the cliff. He is wanted for the assassination attempt, tracked through the country and all across Europe. But through stealth, stealing, and his most valuable weapon, his English-gentleman façade, the man safely gets out of the country and makes it all the way to Dorset – after paying a sneaky visit to his solicitor to move around some money – where he is eventually run down by a foreign agent, known under his fake identity as Major Quive-Smith.

The protagonist is a murderer. He kills one of his pursuers in London, and, before the novel is out, kills another, but he’s also reasonable, resourceful, and funny. Even as he scrunches up atop a muddy sleeping bag in a hole under a pile of branches, he is capable of biting commentary on class and the meaning of patriotism. He’s the best of James Bond, without all the lechery, and you’ll root for him if only to gain more bon mots about life amongst the ex-pats in Cairo.

Published by New York Review Books (1939)

The Eleven Maigret Novels I’ve Read This Year

In descriptions of the novelist Georges Simenon’s work, no one seems to want to commit to just how many books he wrote. “Over 500” or “hundreds,” for example, including “dozens” of novels and short stories featuring his detective character, Jules Maigret. I do know how many Maigret novels Simenon wrote, because I have an Excel spreadsheet of them, so that I don’t buy duplicates and so that I know how many I have to go before I’ve read them all.

Most of the Maigret novels are about two hundred pages, often less, and mostly Maigret is called upon to solve a murder and he does it by the end, after getting irritated by the earnest young men who work for him and sometimes, to my great displeasure, his domestic servant/wife.

This year, I’ve read eleven of the Maigret novels. Below is my review.

It’s early winter, and it’s night. There’s a light drizzle which creates a halo around the gas lamps along the river road in a suburb of Paris that you’ve never heard of. There’s a body floating in the water, and the coroner hasn’t showed up yet. As Maigret turns to look away from the corpse, the lights of the seedy bar across the street flicker once, then go dark.

It’s spring, Paris is beautiful and blooming, but Maigret is sweating through the overcoat that Madame Maigret insisted he wear. He’s pacing in circles around a traveler’s hotel, deciding whether to ring the concierge one more time and ask her one more question about the old men who play boule in the square. If she refuses to answer, then he knows who killed the owner of the casino.

It’s the dead of summer, but Maigret is unflappable upstairs in police headquarters on the Quai des Orfevres. Janvier has just run out for sandwiches and beer from the bistro. If Maigret selects the right pipe, then the beautiful woman in the red silk dress will confess to killing her husband.

Note: this review does not include Maigret Enjoys Himself, which was completely unique.

The Stranger, by Albert Camus

I have a radical proposition: let’s stop assigning books in school.

I’m not saying that the children will want to kill themselves and say bad words if they read Catcher in the Rye or anything like that, or that we should stop reading and just do STEM. I deeply love reading, and believe that reading the right book at the right time in one’s adolescence can alter one’s life, or at least make it a lot better (for example, reading The Thorn Birds under a desk in tenth grade). But the “assigned book” label can make the best of books feel like, well, homework.

When I came across my husband’s copy of The Stranger, by Albert Camus, translated by Matthew Ward, I morphed into a moody teenager. “I don’t wanna, and you can’t make me,” I said to the book, one of the only ones in our house at that time that I hadn’t read, the pandemic ruining our bookstore/library habit.

As you can see from my reading list, I spend more than half of my reading life on mysteries and detective novels, even super old ones, like The Moonstone, and super cozy ones, like Murder in Chianti, but I hadn’t read The Stranger since high school, when I read it begrudgingly because I was probably reading The Thorn Birds again and couldn’t be disturbed. But what do you know, The Stranger isn’t high-falutin’ philosophy with a plot that only gets assigned because it was short and moody? In this translation, in which the language is more James Cain than fancy British, it’s a thriller! It’s about a misanthropic French guy who is so bored that it seemed interesting to go shoot someone because it was too hot and sunny on the beach. And then, when he is sent to prison, he realizes that, hey, maybe life isn’t so bad after all, and it would really be better not to be guillotined.

I finished it in an afternoon, when I was supposed to be doing other things, like taking care of my child, because Camus’ rendering of that character, that man staring out between the bars of his cell and deciding that he’d finally like to live stuck in my brain like a chunk of apple skin between my molars.

New proposition: Re-read all the assigned books again. Read The Stranger again. Read The Great Gatsby and As I Lay Dying. If it makes you feel better, sneak it under your desk and pretend that you’re reading Marie Kondo.

Publisher: Vintage (1946), translated by Matthew Ward (1989)

  • September 25, 2020

The Big Book of Women Saints, by Sarah Gallick (HarperOne, 2007)

I was raised by a lapsed Catholic, so most of my early experiences of that religion came from sleeping under a picture of handsome Jesus at my grandmother’s house and answering the rhetorical question, “Is the Pope Catholic?” incorrectly. In the past few years, I’ve developed a lot of curiosity about Judaism and its traditions (I highly recommend The Story of the Jews by Simon Schama, both parts, if you are, too). Perhaps because the United States is so aggressively Christian, the idea of digging into my own religio-cultural background has not appealed to me nearly as much.

I picked up The Big Book of Women Saints, by Sarah Gallick, for research into a story I am working on, not thinking I would read it from front page to last. The book, published in 2007, is aimed at Catholic readers, with each saint or blessed described, often in just one page, usually on their feast days. There is a woman for each day of the year, and a description of their “genius” – what is inspiring about them – and a Bible quote for reflection, often one associated with the woman or related to her particular suffering.

And there is a lot of suffering here. Because Gallick’s book is intended for people of faith, she shows some skepticism about some of the legends about the early saints (slaying dragons, emerging from a bonfire unscathed), but the book includes many documented historical events, like torture of Christians during the Boxer Rebellion, the Reign of Terror, and – though nothing in comparison to the atrocities suffered by Jewish people – the Holocaust. In this way, it presents a fascinatingly random sampling of historical moments, if you read it from January 1 to December 31 – featuring women having a hard time. Highly relatable, even if you’re not Catholic.

  • July 28, 2020

On Directing, by Harold Clurman (Simon & Schuster reissue 1997; originally published 1972)

A well-written instruction manual is a pleasure to read. A neat table of contents, a thorough index, and approachable text that commands the precise steps necessary to make or do something, is worth reading. There’s comfort in knowing that not everything is complicated and nuanced.

On Directing is not that kind of book. Clurman, a well-known theater director who died in 1980, is very clear on this point: he’s not telling us how to be directors, he’s merely explaining the theater world as he experienced it via its component parts: script, actors, set, audience. The major theme of On Directing is that there is no instruction manual. A show with an incredible cast, brilliantly-designed set and fantastic script may flop, enraging critics and disappointing audiences. Other times, your actors suck, your set is a pile of cardboard boxes (and not even artistically shabby ones, but actual cardboard boxes), the script was written by a third-grader, and you win a Tony.

I read On Directing in my search to understand what it might be like to be a theater director. My only experience with theater was as an actor and as part of the crew. That was over twenty years ago now, and I never gave much thought to the directing aspect. But through some strange combination of repressed desires and nostalgia, suddenly I feel compelled to write fiction about it.

While On Directing didn’t tell me how to be a director, it is a pleasant jaunt through Harold Clurman’s career, directing Marlon Brando and giving bear hugs to Stanislavsky.

Next up on my reading list: How to Restore Your Camaro, 1967-69.

  • June 29, 2020

Oneida: From Free Love Utopia to the Well Set Table by Ellen Wayland-Smith (Picador, 2016)

The story of the Oneida community, a Christian utopian dream of John Humphrey Noyes, that transformed itself into a silverware empire, is a fascinating one. When Noyes, who thought that he was a prophet, and who believed in “Bible communism,” the tenets of which included free love, established his upstate New York community in the 1860s, he could not have imagined what it would become: a brand name associated with quality silverware. Given his beliefs on the role of women, he might be even more surprised to find that a descendant of his community, Ellen Wayland-Smith, would be the one to write such a definitive and detailed book about it.

Oneida: From Free Love Utopia to the Well Set Table takes us from Noyes’ early misfit days in Vermont through to the dissolution of the company, which could not survive globalization and cheaper imports from overseas. In each year of the history, Wayland-Smith provides a detailed examination of the overriding ethos of the community, from the belief in the power of sex to communicate with God, to the squeaky-clean messaging in Oneida’s advertisements during the early twentieth century, reinforcing traditional marriage to sell spoons. As in any story told by a person with a close connection, the most interesting parts of the book are when Wayland-Smith hints at her relationship to the community. Besides her last name, which she shares with one of the founders, and her casual reference to her “great-great-grandmothers” when discussing some of the women, she also relies upon interviews conducted by her father with some of confusingly interbred offspring of some of those original members.

In 2019, I toured the Mansion House, the home in which the original families lived. Signs posted in the house warned me away from the upper floors of the grand home because it was still occupied by descendants of the Oneida community. Wayland-Smith did not encounter any such barriers, indeed grew up playing in the house during the summers. Her in-depth history reflects that literal and figurative access, but it does not diminish her objectively thorough research into this fascinating fragment of American history.

  • May 30, 2020

The Removes, by Tatjana Soli (Sarah Chrichton Books, 2018)

The Removes is a fictional account of the lives of Americans – immigrant and indigenous – in the American West during and after the Civil War. While the story follows General Custer and his wife, Libbie, through Custer’s military career, from the time he meets Libbie as a heroic Union general to his death at the Battle of Little Big Horn, the most difficult and interesting narrative is the one that follows the fictional Annie Cummins. As a young girl, Native Americans kill her family and take her captive. Through uncommon grit, she survives, and the story follows her torturous journey as the tribe that takes her captive moves, as it has always done, in pursuit of buffalo, but also to outrun the invaders on their land who seek to resettle them in reservations, including Custer.

While the Native Americans of Soli’s fictional work are often brutal to Annie and other captives, the white men in the story are no better, as U.S. Army soldiers murder Native children, rape Native women, and more broadly, seek to destroy an entire civilization.

Soli uses real-life events, quotations, and even photographs of Custer and his wife throughout the story, but she makes clear that The Removes is fiction, as is the life of Annie Cummins (though based on the stories of other women taken captive during that period). If you’re looking for a story to make you feel warm and fuzzy, this is not it. If you want compelling historical fiction that gives a clear-eyed view of the ravages of war and colonialism, I can’t recommend The Removes highly enough.

  • April 29, 2020

The Woman Who Married a Bear, by John Straley (Soho, 1992)

The Woman Who Married A Bear is the first of the Cecil Younger novels, written by John Straley. In the preface, the author says that he once heard of a woman who married a bear, and he believed it.

Cecil Younger is the son of a well-known judge in Alaska, but he’s a failure. He has a serious alcohol problem and a wanderlust; in this introduction to the character, he is still mourning his father, who has recently died, as well as mourning the loss of a romance and his six-month’s-long sobriety. After working for – and being fired from – the public defender’s office in Alaska as an investigator, Younger advertises his own investigation services. A Native woman living in an assisted living facility hires him to find out the truth behind her son’s death. She knows the official version – that a mentally unstable man whom her son hired to help with hunting trips that her son guided killed him – but she wants to know the truth.

This story, set in the early 1990s, has everything I want in a mystery. An imperfect investigator/detective (I’m looking at you, Tess Monaghan and, to a lesser extent, Guido Brunetti) who has little regard for the system under which justice is dispensed, even when they work within it. But Straley also brings a mythological element – the possibility that, as you may have guessed, a woman married a bear – that elevates the story to a mystical plane which I seek in fantasy and science fiction more often than in thrillers. The combination, in Straley’s hands, is potent. I look forward to digging into the second book, and hope that Younger takes his time to become a better man.

  • March 27, 2020